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“Moses! Betty! Time fer school!” called Mrs. Wopp. Betty, satisfied that after Moses’ frenzied ministrations she was quite presentable, hastened into the house. Moses fled into the yard where he became very active splitting wood, his guilty conscience adding efficiency to his arm.,

“Shore nuff, what relationship do you s’pose they are all to each other now?”,

The boy went into the street again, mounted[208] and rode rapidly round the corner. His own home was across the way; his mother might see him at the office and call him. But once out of sight he stopped to consider what came next. Who was the right man to tell after the Doctor? The Sheriff!,

While Betty, mounted on a bench in the shed, was getting down her watering-can, Job, who during the afternoon had searched diligently but vainly for her, rounded the corner of the garden fence. He noted the open gate and sped towards it. As he entered the garden his eye fell on St. Elmo who stood absorbed and expectant. The turkey, his odd corner-wise gait accentuated by his anxiety of mind, rushed towards the child who at first did not notice his approach. But presently, turning around, St. Elmo beheld an apparently formidable assailant which by the most powerful flight of imagination could not be mistaken for a fairy. All escape by way of the gate was shut off by the intruder. St. Elmo’s plump legs, bare above his low socks, twinkled as he ran wildly towards the foot of the garden.

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Once she had seen a moving picture show. It was a marvellous experience to her and had filled her dreams for many nights. She now decided to have a little moving picture show of her own.,

“She said, the Queen of Sheba did, that I’d be in danger, and some one would save me. And I’d have a s’prise, and a hus—husband, and fi-five c-chil— children!” She wailed again and hid her face on Mrs. Bennett’s shoulder.,

Mrs. Wopp viewed with misgiving the ornate writing not yet erased from the previous lesson. She feared her own handwriting would suffer by comparison.,

The orchestra were tuning up, that delightful tilting at the notes that precedes the overture. To Moses were revealed such vistaed glimpses of trees and mountains and rivers as his young eyes had never seen. He saw nothing but the gorgeous scenery and the blaze of lights, and heard nothing but the booming of the drum in the overture. Then becoming more used to the glare and clamor, he cocked one eye aloft and saw youths of his own age eating peanuts in the gallery. It made his mouth water. He surveyed the obnoxious offenders however with the nonchalance of one who has already dined sumptuously. Outwardly Moses was an overgrown, freckle-faced, well-fed boy of commonplace propensities; inwardly he was a battery fully charged.